Fear is one of humanity’s oldest impulses. As a survival mechanism for our species, it has allowed us to recognize danger, flee from it, or confront it. However, in contemporary societies—especially in the West—many of the physical threats that once shaped our existence have been subdued through systems of protection, security, and well‑being that soften immediate risk: whether real, perceived, or imagined.

In this context, fear does not disappear-it transforms. If the body is no longer in constant danger, what becomes strained is not only security -represented by domestic and border fences, bars, and enclosures- but also identity. A less visible but equally powerful fear emerges: the fear of anything that challenges what we believe ourselves to be. Nationality, race, ethnicity, gender, class, belonging-constructions that shape our position in the world and that, when confronted with “the other,” reveal their malleable or fragile nature.

This installation is part of a broader project that explores the physical and imaginary border that separates “us” from “them,” especially from populations coming from the global south. It invites us to reflect on how fear shifts from the physical to the symbolic sphere, and how art can become a space to recognize, challenge, and redefine the boundaries of our identity.

UN ABANICO DE AROMAS

Muchos han sido los artistas y las formaciones participantes en las 23 ediciones del Festival ETNOMUSIC, todas ellas comprometidas con la difusión de la música de raíz y folk leídos en clave contemporánea e interpretados desde el presente. Aun así, en pocas ediciones se ha presentado un programa tan diverso y, porque no, tanto ecléctico como el que ofrecemos para este año. No solo por las procedencias de las propuestas -configurando un mapa que alcanza desde nuestras comarcas hacia el extremo oriental del Mediterráneo, desde la Francia más próxima (Occitania), a Castilla o Galicia- sino por los múltiples vínculos con la música tradicional cargados de aromas asociados al jazz, a la música clásica y el pop, que se adentran en territorios sonoros de difícil calificación donde el origen y el punto de partida son la única impronta definida que se ensancha hacia marcos ricos en texturas y colores.

A principios de mayo la formación de Matthieu Saglio nos presentará una propuesta multicultural y una amplia variedad de sonidos en parte explicadas por las diversas procedencias de sus acompañantes, acoplando con fluidez las músicas del Brasil, África, la clásica o el jazz. El festival continuará con Magalí Sare, que nos ofrecerá un concierto dedicado a los cantos tradicionales de las mujeres al ámbito europeo. Después viajaremos a Francia para conocer una cálida inmersión reivindicativa en los ritmos tradicionales occitanos de la mano del dúo Cocanha. El programa se completará con el grupo valenciano Krama, que aportará una firme mezcla de sonidos inspirados en las tradiciones griegas y valencianas, y con Gala y Ovidio, un nuevo dúo de experimentados artistas que parte de la tradición gallega para llevarnos a terrenos innovadores que aprovechan los recursos de la canción pop y la electrónica.

Como cada año, el festival incluirá un concierto familiar del XXX cumpleaños de la formación valenciana Rodamons, concierto realizado en colaboración con el SARC (Área de Cultura de la Diputación de València) y saldrá a los municipios de la provincia, con un programa compuesto por un grupo valenciano y un grupo castellano. El grupo valenciano Citra nos mostrará el lado más clásico y próximo de la música de nuestros pueblos y el internacionalmente reconocido grupo Vigüela nos presentará la música de raíz castellana en toda su dimensión.

PROGRAMACIÓN EN L'ETNO

• MATTHIEU SAGLIO QUARTET. 7 de mayo, 20.15 h
• MAGALÍ SARE. Descasada    14 de mayo, 20.15 h
• COCANHA. Flame folclòre   21 de mayo, 20.15 h
• RODAMONS. Bestioles i bestioletes: amics en el camí 24 de mayo, 11.30 h
• KRAMA. Stanbrook  28 de mayo, 20.15 h
• GALA I OVIDIO. Que parece un principio  30 de mayo20.15 h
   

ETNOMUSIC EN LOS PUEBLOS

• Citra. Sense aditius. La Pobla de Vallbona
• Vigüela. Yatova  

A través del extraordinario archivo fotográfico del pionero de la fotografía submarina y del buceo autónomo Jesús Navarro, realizado entre 1959 y 1969, la exposición nos recupera un mundo ya desaparecido lleno de monstruos marinos: nos encontramos ante algunas de las primeras fotografías submarinas de la historia de todo el estado.

Por otro lado, nos presenta a la almadraba: un universo acuático —tan fascinante como hostil— de sal, arena, hierro, madera y sangre. Este antiguo arte de pesca del atún rojo entronca con una tradición atlántica y mediterránea de casi tres mil años de antigüedad que, en los últimos 700, tuvo como indiscutible figura de autoridad a los valencianos y, en concreto, a los capitanes de almadraba, o arráeces, de Benidorm. Su maestría y pericia, una sabiduría acumulada durante generaciones y transmitida con orgullo de padres a hijos, los acreditó durante siglos como los mejores en un oficio tan complejo y colosal como es la almadraba.

A través de los testimonios directos de algunos de los protagonistas de las imágenes, recogidos durante dieciocho años por el comisario de la exposición, así como de los textos del mismo Jesús Navarro publicados en la revista Cris, revista del mar, podemos revivir muchas anécdotas sobre las vidas de unos hombres y mujeres que durante seis meses abandonaban sus hogares por necesidad, en éxodo anual, para embarcarse en una aventura incierta en el sur lejano.

Disciplinas como la historia, la etnografía, la antropología, la filología, la biología, la oceanografía, la ecología e incluso la numismática sobrevuelan el proyecto, completando su contenido y  dotándolo de rigor científico. La tarea de recuperación de la memoria oral se ha realizado in extremis, a punto de desaparecer para siempre, pues la mayoría de sus protagonistas han muerto desde que empezó el proyecto en 2007.

Jesús Navarro se convirtió en testigo privilegiado de un punto de inflexión en la historia: el cambio de paradigma de una mar épica a una mar domesticada, indolente y mansa que transformó a los habitantes de Benidorm.

La próxima vez que alguien mal informado se refiera al Benidorm antiguo como un «pueblecito de pescadores», habrá que matizarle las palabras y La mar èpica. Els almadravers de Benidorm a les fotografies de Jesús Navarro, nos ayudará a sacarlo de su error. Aunque, si queremos ser indulgentes podremos decirle que sí, ¡pero pescadores de pescados grandes!

ETNOPOBLES is a local museum fair that aims to showcase the cultural activities of these museums to the citizens of Valencia, and by extension, the cultural activities and events characteristic of each municipality.

On the one hand, there are stands corresponding to each of the museums (22 stands) where each museum offers information about its activities.  On the other hand, the FAIR will feature a rich programme of activities proposed by each museum/municipality. The FAIR will include workshops, presentations, conferences, exhibitions, cooking demonstrations, wine tastings, etc., with a total of 30 activities throughout the week.

The FAIR is aimed at families on Saturday and Sunday. On Friday 19 September, schools from the Carme neighbourhood and children from the Carme Neighbourhood Fallas Association are expected to attend.

PARTICIPANTS:

20 museums in the province of València: 

• Museu Internacional de Titelles, Albaida
• Museu del Palmito-MUPA, Aldaia
• Museu Valencià de la Festa, Algemesí
• Museu de l'horta, Almàssera
• Museo Etnológico, Alpuente
• EtnoMUMA, Alzira
• Ecomuseo, Aras de los Olmos
• Ecomuseo, Bicorp
• Centro de Interpretación del Torico, Chiva
• Museu de la Pilota, el Genovés
• Museu Històric-Etnològic, la Font de la Figuera
• Museu de la Casa del Pou, la Llosa de Ranes
• Museu del Tèxtil de la Comunitat Valenciana, Ontinyent
• Museu de la Rajoleria, Paiporta
• Museu de Cassoleria Àngel Domínguez, Potries
• Museu de l’Aigua Molí Nou, Quartell
• Museo Municipal, Requena 
• Museu Comarcal de l’Horta Sud Josep Ferrís March, Torrent
• Museo Municipal, Utiel
• Colección Museográfica de Yátova. 

GUEST MUSEUMS

1 museum in the province of Castellón:

• Museu de la Pedra en Sec, Vilafranca

1 museum in the province of Alicante: 

• Museu Valencià del Paper, Banyeres de Mariola

EL SECULÒRUM I LA SECULERA. Contes i acudits llicenciosos valencians de tradició oral.

A work dedicated to the Valencian narrative folklore that is linked to the expression of sex. Its main objective is to highlight the value of a subgenre that, although it still has a certain validity in the oral tradition, in the Valencian context, unlike in other territories, has not been compiled and studied in a monographic way until now.

It supposes a contribution to the Valencian rondallística, offering, on the one hand, an anthology of a hundred stories and songs compiled from the oral tradition. It is the result of a field work carried out in different towns both in the Valencian and Castilian linguistic area. There is a sensitization to reproduce the oral materials through reliable transcriptions so that they have validity both as ethnographic documents and as testimonies of a linguistic patrimony.

On the other hand, the work offers an introductory study to understand aspects related to the stories as literary texts, such as the humoristic resources on which they are based, or referring to their context, for example, the sources and the fields in which they are disseminated. Likewise, the study proposes a classification of the materials according to the index of rondallistic types The Types of International Folktales.

The author will be accompanied by:

• Joan Seguí, director of L'ETNO
• Núria Sendra, from Edicions del Bullent.

EL SECULÒRUM I LA SECULERA. Contes i acudits llicenciosos valencians de tradició oral.

A work dedicated to the Valencian narrative folklore that is linked to the expression of sex. Its main objective is to highlight the value of a subgenre that, although it still has a certain validity in the oral tradition, in the Valencian context, unlike in other territories, has not been compiled and studied in a monographic way until now.

It supposes a contribution to the Valencian rondallística, offering, on the one hand, an anthology of a hundred stories and songs compiled from the oral tradition. It is the result of a field work carried out in different towns both in the Valencian and Castilian linguistic area. There is a sensitization to reproduce the oral materials through reliable transcriptions so that they have validity both as ethnographic documents and as testimonies of a linguistic patrimony.

On the other hand, the work offers an introductory study to understand aspects related to the stories as literary texts, such as the humoristic resources on which they are based, or referring to their context, for example, the sources and the fields in which they are disseminated. Likewise, the study proposes a classification of the materials according to the index of rondallistic types The Types of International Folktales.

The author will be accompanied by:

• Joan Seguí, director of L'ETNO
• Núria Sendra, from Edicions del Bullent.
• 

In 2015, the United Nations General Assembly adopted the 2030 Agenda and the Sustainable Development Goals (SDGs) in order to "set the world on a path of sustainability and resilience". The proposed goals are based on three pillars: economic growth, social development and environmental protection, as established at the World Summit on Sustainable Development in 2002.

Culture, however, "a source of meaning and energy, of creativity and innovation, and a resource for responding to challenges and finding appropriate solutions", as defined by UNESCO in 2013 in its Hangzhou Declaration: placing culture at the heart of sustainable development policies, has not been considered a necessary pillar. This absence of culture in the SDGs has been criticized by different institutions as shown by the #culture2030goal campaign.

Thus, these days have a dual purpose. On the one hand, to show and demonstrate the need to incorporate culture in the goals and targets on sustainability. And, on the other hand, to highlight the role of museums and heritage infrastructures in promoting and boosting sustainability and cultural vitality in the territory.

Treasures with history is a programme that the Valencian Public Television À Punt has been broadcasting successfully for the last three seasons. It deals with the objects that people keep as precious material, as an emotional treasure full of experiences and memories. It is a well-known fact that objects have the capacity to establish emotional connections with people, and the complexity of this relationship is the subject of Treasures with history. L'ETNO now brings you closer to this universe of objects that from history, ethnology or art have built part of our memory as a people over the last 200 years. 

Produced in collaboration with the Valencian Institute of Culture, Treasures with History 2 is an exhibition organised by L'ETNO to show the public the more than one hundred treasures selected for the programme.

Conferència: Subjectes diversos. Investigació antropològica i Diversitat Funcional 

Subjectes diversos és una invitació a repensar la pròpia categoria de subjecte antropològic mitjançant una conversa a tres de les antropòlogues Raquel Sánchez Padilla, Ángela Calero Valverde i Teresa Vicente Rabanaque que formen part del grup d'investigació "DIVERSITATS. Antropologia i Diversitat Funcional". La idea és recordar i reviure les aventures i desventures que les tres investigadores han experimentat al llarg dels anys investigant la Diversitat Funcional com a categoria social.

Les tres investigadores formen part de l'equip multidisciplinari Diversitats. Antropologia i Diversitat Funcional, que té com a objectiu principal estudiar la diversitat funcional com a categoria social, que naix després d'una trajectòria de col·laboració en diversos projectes i contractes d'investigació relacionats amb l'accessibilitat, l'oci inclusiu i la diversitat funcional.

En col·laboració amb AVA (Associació Valenciana d'Antropologia).

It is a well-known fact that women have always told stories. They have been the ones who have preserved the living memory of the oral tradition the most and the best. They have been the ones who have most and best preserved the living memory of the oral tradition. And they have done so in the domestic sphere, accompanying the tasks of caring for, feeding and entertaining their loved ones, with the spoken and sung word, recreating the word-caress, or the word that provokes curiosity and restlessness. 

They have also done so, outside the home, by conversing or encouraging collective agricultural and livestock tasks. There were many propitious moments throughout the day to allow the living word to be spoken, together with the gaze that crosses centuries and plunges into distant lands. It was so common for women to tell stories that the expression "old wives' tales" was coined. 

But women have not limited themselves to telling stories in the intimacy of the home or in the workplace. They have been and are the undisputed protagonists of the survival and revitalisation of the spoken word in all areas of life. Thanks to them, this art, this treasure, this craft of storytelling remains alive. 

From AL CALIU DE LES PARAULES we will pay special attention to the role that women have played in the creation of tales and stories. We will do so with Marina Sanfilippo, an expert in artistic and popular orality, and with Victoria Gullón, Nuria Urrioz and Emma López, three great storytellers who in this eighth edition will accompany us to enjoy stories, romances and songs in the heat of the bonfires, and of course, of words, the living memory of the oral tradition. And they have done so on the domestic stage, accompanying the tasks of caring for, feeding and entertaining their loved ones, with the word told and sung, recreating the word-caress, or the word that provokes curiosity and restlessness. 

They have also done so, outside the home, by conversing or encouraging collective agricultural and livestock tasks. There were many propitious moments throughout the day to allow the living word to be spoken, together with the gaze that crosses centuries and plunges into distant lands. It was so common for women to tell stories that the expression "old wives' tales" was coined. 

But women have not limited themselves to telling stories in the intimacy of the home or in the workplace. They have been and are the undisputed protagonists of the survival and revitalisation of the spoken word in all areas of life. Thanks to them, this art, this treasure, this craft of storytelling remains alive. 

PROGRAMME

Saturday, 3rd February

19.30 h. "Women, stories and other wonders". 

Talk-colloquium with Marina Sanfilippo, coordinator of the Permanent Seminar on Literature and Women at the Faculty of Philology of the UNED and member of the Chair of European Intangible Cultural Heritage (University of Valladolid).

21.00 h. Dinner of "sobaquillo" 

Dinner at three bonfires with riddles and toasts. 
"sobaquillo" means that participants should bring their own supper and the organisation will provide the snacks and drinks. 

22.00 h. "Palabrasas" (Words)

Simultaneous storytelling at three bonfires. 

23.30 h. Farewell 

Joint celebration with dancing and singing.

Storytellers:

Victoria Gullón (romances), Nuria Urrioz and Emma López.

Idea, project and coordination:

Vicente Cortés -Vividor del cuento.